thing that I have come know in
my forty-six years of teaching is that you can
never know definitively who is right or who is wrong about a physical art like
karate in a purely academic arena. In other words, talk can be cheap and it can
also be misleading. The mind is meant for understanding the nuances of our
craft and giving our body direction, but our body is meant for action and that
is where the meaning of a technique and its results count. All the talk
regarding karate ultimately lies in your ability to test what you are told and
put it to good use in the real world. I’m all for healthy discussion and debate
that prepares the arena for action. But for anyone to say this is the way it is
or isn’t about how to punch or kick or block or lock, without an actual test,
is simply misleading. 

in matters of historical research I find as scholars dig deeper some of our
previous held beliefs and conventional understandings about karate and its
techniques have gotten turned upside down. Nobody is going to pull your heart
out with a spear hand. The Okinawan farmers didn’t beat the Japanese samurai.
Kata possesses way more knowledge that anyone could ever imagine.  The karate myths I was taught as truisms back
in the 1960’s have since popped like
chewing gum bubbles. Historical research gives us a more sobering and
grounded perspective on the martial arts with each passing year.

would like to briefly address the practice of a karate stance called the Shiko Dachi, or what we know as the Seiuchin dachi, from my perspective as a
career practitioner and teacher. Volumes could be written about the stances of
karate; their history, their functionality, their symbology, their cultural
relevance, even their role as something more than musculo-skeletal levers and

sensei worth his or her mettle as a guide will discover that the novice needs
concrete information to progress in their arts. If you want a student to
flounder just be ambiguous when explaining a technique to them. “Well, it could
be this way or that way, and on Monday’s we straighten the back leg, but on
Wednesday we keep it a wee bit bent.” Or, create a rigid boundary so stiff that
the student can’t even breathe without catching your eye. A returning
kyudansha, who had studied under two different isshinryu sensei told me that
that he was informed when sinking down from his Seisan dachi he must “Never,
ever” pivot on the heel of his back foot. I asked for the rationale. None was
provided to him. He just knew that he must never, ever do such. Honestly, this
is dysfunctional teaching. “Prove it?” He couldn’t. The advice was wrong. 

dachi must begin as a fixed position for
the novice. If you were a beginner, and asked me what a Shiko Dachi (otherwise,
Seiuchin stance) was, I would explain the dachi’s body structure in precise
detail for you to anchor into. I didn’t say, I’d explain the foot position. I would explain the whole body structure. Dachi are not just
‘foot’ positions any more than a bow is exclusive to the arrow and the bowman.  Since so few karate-ka go into deep study of
their arts, we now have too many junior masters (masters by longevity or rank,
not necessarily by deepening skills) who have not outgrown their early and
limited notions of fixed dachi.

recently read an article entitled “Is The
Shiko Dachi Pointless?”
The author went on to discredit the low posture to
all but kata rehearsal, and to say it was also considered a Horse stance. I
couldn’t disagree more with his opinion. The two stances are very different in
structure and purpose.  

Shiko dachi is distinguished by the following factors; heels one and a half
shoulder width apart, feet turned out 45 degrees, pelvis tilted slightly back,
neck held slightly forward, torso also inclined slightly forward, anal sphincter
relaxed. The Shiko dachi is a Water element stance. Yang or descending
meridians are switched on in this posture. In this posture energy descends.
Most arm motions associated with the Shiko dachi extend to the left or right of
the torso, rather than in front of it. It is used to bring the opponent down or
to follow an opponent down to properly apply a joint-locking technique.

are five layers to form work; the individual technique or tool (in this case the Shiko dachi), the selection of a set of
techniques called tactics to achieve
the overall goal called strategy, the state of mind, and finally, the raw energy currents circulating through and around the body.
Whether we look at these five layers from the bottom up or top down, each one
exerts influence over the other. A Shiko Dachi must be viewed with these five
layers in mind. For example, the overall stability of a Shiko dachi held by a
person lacking in confidence is not the same ‘posture’ as one who is confident.

may debate that the ‘physical structure’ of a proper Shiko dachi has more
integrity than say a narrower stance, to which I would say, find me a Shiko
dachi without a psychic inhabitant. In other words, narrow or wide isn’t going
to matter much if one lacks confidence in the stance overall. In the world of
action we must always look at the
whole entity; body and mind, and look beyond the conventional thinking that
stances are just foot and leg positioning. Things are not what they appear
when you take a hard look at Traditional martial postures. Blocks become
strikes. Strikes become blocks. Even stances can become blocks and strikes on
certain occasions.

stances are both transitory and transitional. They flow kinetically,
stimulating obvious and hidden bodily energies. Hopefully, the novice will
eventually awaken to this awareness. In our school we have two distinct, but
not mutually exclusive, rationales for any standing posture. We have the
obvious musculo-skeletal leveraging, conveying and weight value of the stance,
and we have its bioenergetic quality. I find most karateka are at a loss
understanding what a stance’s bioenergetic reality is outside of ‘doing it
vigorously’. Put simply, every posture creates a dynamic flow of interior
energies. Slight shifts in the physical posture, including the angles of the
foot, the pressures of leg depth and width, will shift these forces. There is
an art running beneath the biomechanical nature of karate and it is
extraordinary, and part of the true legacy of the martial arts.

a novice can precisely execute a fixed Shiko dachi, he or she is ready progress
into the many technical gradations or ‘expressions’ of the stance.

suggest a tight anal sphincter in a Seiuchin dachi is incorrect. It presumes lack
of knowledge how the leg meridians are influenced by forward and rearward pelvic
tilts; how the energy-gating action resulting from anal sphincter tension and
relaxation coupled with the various angles of foot positioning, and whole body
posturing becomes a conduit of inner tides either sucking the energy out of the
competitor or spitting it back in imbalancing volume.

my end, you have to see the energy effects of these slight changes in a stance
posture to believe them. Counter intuitive? Yes, which only makes stance work
all the more fascinating. We’ve had over thirty yudansha with a combined total
of over six hundred years experience tearing up the ground on this topic.

intent is to make this information available to the senior most karate-ka in the
U.S. if they are unfamiliar with this technical bonanza. We’d also like to see
a reinvigoration of the Karate arts which have been taking a back seat to
MMA-hyped advertising and misleading statements like the one espoused in the article I came across.

in mind, once you select an individual technique to practice, there are
multiple levels to training with it. This multi-tiered understanding of karate
technique represent the best of our Traditional form work.

more martial artists we get into broadening this dialog, the more exciting and
forward moving this information will become!

Shiko Dachi is not pointless!